“Behold how thames doth smooth her silver waves! […] proud to receive you to her watery bed”: an introduction to Rachel Jevon's Stuart poetry
Abstract
This work investigates the legacy of Rachel Jevon, specifically the poem Exultationis Carmen: To the Kings Most Excellent Majesty upon his Most Desired Return (1660), studying how it is constructed and how it contributes to the historical dialogue of its time. First, the literature of the Stuart Successions is addressed to contextualise the poem, along with a brief biographical note about its author, born in Worcester. Second, the Virgilian echo ("Fourth Eclogue") that Jevon's poem contains is noted. Third, the essay focuses on some fragments of the poem, segmented through historical milestones of the era, to analyse their content, educe their authorial dimension, and link them thematically to the different episodes of the history of England that transpired from 1649 to 1660.
Downloads
References
Barash, Carol. English Women’s Poetry, 1649-1714. Politics. Community, and Linguistic Authority. Oxford: Clarendon Press, 1996.
Burrow, Colin. “Virgil in English Translation.” The Cambridge Companion to Virgil. Ed. Charles Martindale. Cambridge: Cambridge University Press, (1997) 2011. 21-37.
Crowley, Joseph. “Rachel Jevon, Exultationis Carmen (1660).” Reading Early Modern Women. An Anthology of Texts in Manuscript and Print 1550-1700. Eds. Helen Ostovick and Elizabeth Sauer. New York and London: Routledge, 2004. 393-394.
Donne, John. The Complete English Poems of John Donne. Ed. C. A. Patrides. London: Dent & Sons (1985) 1988.
Ezell, Margaret J. M. The Oxford English Literary History. Volume 5: 1645-1714. The Later Seventeenth Century. Oxford: Oxford University Press. 2017.
Gatz, B. Wetalter, goldene Zeit und sinnverwandle Vorstellungen. Hildesheim: Olms. 1967.
Herbert, George. The Temple: Sacred Poems and Private Ejaculations. Pickering: London, 1838.
Hobby, Elaine. Virtue of Necessity. English Women’s Writing 1649-88. London: Virago Press, 1988.
Hosington, Brenda M. “‘The Well-Wrought Verses of An Unknown Bard:’ Renaissance English Women Latin Poetry of Praise and Lament.” Acta Conventus Neo-Latini Upsaliensis (Proceeding of the Fourteenth International Congress of Neolatin Studies). Ed. Astrid Steiner Weber. Leiden and Boston: Brill, 2012. 81-104.
Jevon, Rachel. “Exultationis Carmen: to the Kings Most Excellent Majesty upon his Most Desired Return (1660).” Literature of the Stuart Successions. Eds. Andrew McRae & John West. Manchester: Manchester University Press, 2017. 179-185.
Liversidge, M. J. H. “Virgil in Art.” The Cambridge Companion to Virgil. Ed. Charles Martindale. Cambridge: Cambridge University Press, (1997) 2011. 91-103.
Martindale, Charles. “Green Politics: The Eclogues.” The Cambridge Companion to Virgil. Ed. Charles Martindale. Cambridge: Cambridge University Press, (1997) 2011. 107-124.
McRae, Andrew and John West. Literature of the Stuart Successions, Manchester: Manchester University Press, 2017.
Mortimer, Ian. The Time Traveller’s Guide to Restoration Britain. A Handbook for Visitors to the Seventeenth Century: 1660-1700. New York and London: Pegasus Books, 2017.
Nisbet, R. G. M. “Virgil’s Fourth Eclogue: Easterners and Westerners.” Oxford Readings in Classical Studies. Vergil’s Eclogues. Ed. Katharina Volk. Oxford: Oxford University Press, 2008. 155-188.
Pepys, Samuel. The Diary of Samuel Pepys. Vol I. Ed. Henry B. Weatley. New York: MacMillan, 1892.
Peters, Erin. Commemoration and Oblivion in Royalist Print Culture, 1658-1667. New York: Palgrave, 2017. https://doi.org/10.1007/978-3-319-50475-9
Virgil. Bucolics, Aeneid, and Georgics of Virgil. Ed. J. B. Greenough. Boston: Ginn & Co, 1900.
Vergili Maronis, P. “Eclogue IV.” Opera. Ed. Sir Roger Aubrey Baskerville Mynors. Oxford: Oxford University Press, 1986. 9-11.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish with this journal agree to retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal. Also, authors will retain the rights on their work, even if they will be granting The Grove. Working Papers on English Studies a non-exclusive right of use to reproduce, edit, distribute, publicly communicate and show their work. Therefore, authors are free to engage in additional, independent contracts for non-exclusive distribution of the works published in this journal (such as uploading them to an institutional repository or publishing them in a book), as long as the fact that the manuscripts were first published in this journal is acknowledged.