El status quo y las contramedidas sobre las reliquias de piedra del Templo Putuo Zongcheng en Chengde

 The status quo and the countermeasures about the stone relics of the Putuo Zongcheng Temple in Chengde

 

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Cuadro de texto:  Recibido 11/12/2019      Revisado 02/01/2020      
 Aceptado 02/01/2020    Publicado 31/01/2020

Haijia Wu /___

Instituto Arqueol—gico de Reliquias

en Chengdu/ Chengdu Relics Archeological Institute /_________

Sichuan,   China.

ruihai58485@163.com

 


Resumen:

El Templo Putuo Zongcheng es el templo m‡s grande en los ocho templos exteriores de "Residencia de Monta–a de Chengde y Ocho Templos Exteriores". Conserva una gran cantidad de reliquias culturales de piedra y tiene un alto valor hist—rico, art’stico y cient’fico. Bajo la influencia del medio ambiente natural a largo plazo y las actividades de producci—n humana, estas reliquias culturales de piedra han experimentado enfermedades clim‡ticas en diversos grados, que ponen en peligro la vida de las reliquias culturales y requieren mantenimiento y protecci—n urgente. Es esencial realizar una investigaci—n y an‡lisis sistem‡ticos y detallados de la enfermedad antes de reparar y proteger estos artefactos de piedra.

En mayo de 2007, julio de 2012 y agosto de 2016, fui al Templo Putuo Zongcheng en Chengde tres veces para investigar su estado de conservaci—n. Este documento analiza sistem‡ticamente los tipos existentes de enfermedades y las causas de estas enfermedades al investigar el estado actual de la preservaci—n de los artefactos de piedra en el Templo Putuo Zongcheng. Las razones principales son factores naturales y ambientales, y proponen contramedidas para mejorar el estado de las reliquias culturales de piedra. Las estad’sticas de estas enfermedades pueden proporcionar una investigaci—n y una base te—rica para la protecci—n y restauraci—n posteriormente.

 

 

 

Abstract:

The Putuo Zongcheng Temple is the largest temple in the outer eight temples of ÒChengde Mountain Resort and Outer Eight TemplesÓ. It preserves a large number of stone cultural relics and has a high historical, artistic and scientific value. Under the influence of long-term natural environment and human production activities, these cultural stone relics have experienced climatic diseases to varying degrees, which seriously endanger the life of cultural relics and require maintenance and urgent protection. It is essential to conduct systematic and detailed disease investigation and analysis before repairing and protecting these stone artifacts.

In May 2007, July 2012 and August 2016, I went to the Putuo Zongcheng Temple in Chengde three times to investigate it. This document systematically analyzes the existing types of diseases and the causes of these diseases by investigating the current status of the preservation of stone artifacts in Putuo Zongcheng Temple. The main reasons are natural and environmental factors, and propose countermeasures to improve the status of stone cultural relics. The statistics of these diseases can provide an investigation and theoretical basis for the protection and restoration later.

 

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Descripci—n general, estado de conservaci—n, causas de enfermedades, contramedidas, Templo Putuo Zongcheng / General description, state of conservation, causes of diseases, countermeasures, Putuo Zongcheng Temple  /   _______________

 

 

Cuadro de texto: Sugerencias para citar este art’culo
Wu, Haijia (2020). El status quo y las contramedidas sobre las reliquias de piedra del Templo Putuo Zongcheng en Chengde. Tercio Creciente, 17, p‡gs. 47-70. https://dx.doi.org/10.17561/rtc.n17.4
WU, HAIJIA, El status quo y las contramedidas sobre las reliquias de piedra del Templo Putuo Zongcheng en Chengde. Tercio Creciente, enero 2020. n¼ 17, pp. 47-70.  https://dx.doi.org/10.17561/rtc.n17.4
___ (2020). ___________________. Tercio Creciente, 17, 47-70. https://dx.doi.org/10.17561/rtc.n17.4


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Source of Pictures: Except for figure 1 from the Internet, the rest are taken by the author herself.
Fuente de las im‡genes: Excepto la fotograf’a 1 de Internet, el resto las tom— la propia autora.