Stardom, ethics and the market: an analysis of feminist potential and brand-building in the documentary Aitana Bonmatí Conca (Movistar Plus+: 2024)

Authors

DOI:

https://doi.org/10.17561/jump.10192

Keywords:

gender studies, women sport, football, documentary, celebrity, Aitana Bonmatí

Abstract

This article examines the documentary miniseries Aitana Bonmatí Conca (2024), directed by Xavi Torres, Jesús Muñoz and Santi Padró, with the primary aim of assessing the feminist potential of contemporary audiovisual works. The research is structured around a dual methodological framework: on the one hand, the analytical categories proposed by Richard Dyer (2001) regarding the configuration of stars as complex phenomena of production and consumption; and, on the other hand, it employs Amanda D. Lotz’s research (2001), which focuses on tools for critical analysis from a gender perspective in post-television environments. It is argued that the work constructs an image of stardom situated at a dialectical intersection: the global media coverage of Aitana Bonmatí, linked to her successes at F.C. Barcelona and with the Spanish national team; set against a narrative of ethical intimacy. The latter is rooted in her origins, friendships, socio-political commitments and the defence of The Catalan language acts as a counterpoint that shapes the current ‘attention economy’ in the sporting sphere. The study analyses how this tension between the public and the private redefines the athlete’s charisma in the age of streaming platforms. It also argues that the documentary employs disruptive elements such as empowerment, the pluralisation of gender representations and the use of feminist strategies that highlight personal and professional challenges and processes of self-improvement and professionals. However, the analysis reveals that these narratives of resilience inevitably coexist with the industrial logic of branding, sponsorship and the commodification of success. Through a textual analysis based on industry sources, the article concludes that Bonmatí emerges as a model of hybrid stardom that challenges the traditional norms of elite sport, integrating cultural authenticity into a globalised market.

Author Biographies

  • Nerea Cuenca-Orellana, Universidad Rey Juan Carlos

    Nerea Cuenca Orellana holds a PhD in Humanities and Communication from the University of Burgos, Spain, and received the 2020 Extraordinary Doctorate Award. Accredited as a Contracted Doctor by ANECA, she is an Assistant Professor at Rey Juan Carlos University. She has participated as a researcher in the Women in the Animation Industry (MIA) association, with whom she has published the MIA 2021 Report and the MIA 2022 Report, the latter of which is part of the Luis García Berlanga Film Research Grants (2021). She is a member of the FEMCINAVIS Research Group. Her areas of research focus on series, feature films, social networks and audiovisual animation projects from the perspective of narrative, production and gender studies, as well as education and training proposals for secondary school, vocational training and university students. 

  • Sonia Dueñas Mohedas, Universidad Carlos III de Madrid

    Sonia Dueñas Mohedas es investigadora postdoctoral en el Departamento de Comunicación de la Universidad Carlos III de Madrid. Es miembro del grupo de investigación "Televisión-Cine: Memoria, Representación e Industria" (TECMERIN) y del proyecto de investigación “VITAL-IoT: Resolviendo aspectos clave en la ciberseguridad de sistemas IoT personales de los que depende la vida de personas” (2023/00616/00). Sus líneas de investigación parten de los Estudios Fílmicos y los Media Industry Studies.

  • Natalia Martínez-Pérez, Universidad de Burgos

    Natalia Martínez Pérez is an Assistant Professor in the Department of History, Geography and Communication at the University of Burgos and holds a PhD in Media Research from the Carlos III University of Madrid. She is also a member of the research group "Television-Cinema: Memory, Representation and Industry" (TECMERIN) and of the ADECCE association. She is currently working on the research project "El documental institucional y el cine de aficionado coloniales: Análisis y usos" (PID2021-123567NB-I00), and her lines of research are mainly based on Television Studies and Gender Studies.

References

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Published

2026-05-28

How to Cite

Cuenca-Orellana, N., Dueñas Mohedas, S. ., & Martínez-Pérez, N. (2026). Stardom, ethics and the market: an analysis of feminist potential and brand-building in the documentary Aitana Bonmatí Conca (Movistar Plus+: 2024). JUMP, e10192. https://doi.org/10.17561/jump.10192