Popularismo em "Mãe Pobre" de Carlos de Oliveira / Oral tradition in "Mãe Pobre" by Carlos de Oliveira
Keywords:
KEYWORDS, Mãe Pobre, Carlos de Oliveira, traditional poetry / PALAVRAS-CHAVE, poesia popular e tradicionalAbstract
ABSTRACT. In this article, we attempt to show that Mãe Pobre by Carlos de Oliveira constitutes an important aesthetic revolution as regards the relationship between the high-brow and the popular culture: between the authorial poetry, which is inserted in the theoretical, ideological and supra-individual aesthetic framework of the Neo-realism, and the traditional poetry, which is an expression of the heritage, sensitivity, emotions, symbols and literary procedures of the community.
RESUMO. Neste artigo, procuramos demonstrar que Mãe Pobre de Carlos de Oliveira constitui uma importante revolução estética ao nível das relações entre o culto e o popular: entre a poesia de autor, inserida no quadro teórico, ideológico e estético supra-individual do Neo-Realismo, e a poesia popular e tradicional, expressão do activo de pen-samentos, sensibilidades, emoções, símbolos e procedimentos literários da comunidade.
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References
COCHOFEL, João José (1952): «Poesia», in Vértice, n.o 108, Coimbra, pp. 449-450.
COELHO, Eduardo Prado (1979): «Itinerário poético de Carlos de Oliveira», in Letra Litoral, Lisboa, Moraes Editores, pp. 159-160.
MARTELO, Rosa Maria (1998): Carlos de Oliveira e a Referência em Poesia, Porto, Campo das Letras.
OLIVEIRA, Carlos de (1992): Obras de Carlos de Oliveira, s.l., Caminho.
REIS, Carlos (1983), O Discurso Ideológico do Neo-Realismo Português, Coimbra, Almedina.
VASCONCELOS, José Leite de (1979): Cancioneiro Popular Português, vol. II, coordenação de Maria Arminda Zaluar Nunes, Coimbra, Acta Universitatis Conimbrigensis, Por Ordem da Universidade.
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