King Sebastian alive and dead

History and catharsis in the ballads on Ksar-el-Kebir

Authors

DOI:

https://doi.org/10.17561/blo.vextra5.7137

Keywords:

King Sebastian, Sebastianism, Ksar-el-Kebir, Collective Catharsis, Politics and Literature, Phillip II, Iberian Union

Abstract

The corpus of ballads on Ksar-el-Kebir is relatively small, considering the wide impact the battle had in other ways. Only ten extant, printed and manuscript. They show all the nuances and even the thematic evolution that characterize the numerous prose accounts of the events, following the political needs as they changed. Most of them are from 1592-1595, after the long silence that followed the battle, when it was not politically acceptable to discuss problematic issues, such as the reasons for the debacle, the courage of the participants, the alleged survival of the king. Neither he or his nobility could be criticized, as Phillip II needed them to administer his new kingdom. Once his power consolidated, the Flores started to print ballads that touch all these questions, albeit without clearly answering any of them. The death of the king is never pronounced, but suggested in many ways, and his memory saved as that of a courageous yet imprudent young warrior.

By the turn of the century, after a succession of Sebastian impostors and the growth of Sebastianism as a support system for nationalistic resistance, chronicles and balladry produce the death of the king and even his corpse.

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Published

2022-12-27

How to Cite

Martínez Torrejón, J. M. (2022). King Sebastian alive and dead: History and catharsis in the ballads on Ksar-el-Kebir. Boletín De Literatura Oral, 5 ext, 29-56. https://doi.org/10.17561/blo.vextra5.7137