ATU 707: reflections of the type in the samples collected at the Corpus de Literatura Oral.
DOI:
https://doi.org/10.17561/blo.vextra8.9607Keywords:
Folk tales, ATU 707, comparative approach, versions, The Three Golden ChildrenAbstract
The type ATU 707, called The Three Golden Children, has a wide transmission in the oral tradition of numerous cultures. This influence is also shown in several international publications of written versions that have naturally contributed to the durability of this type. This work proposes an analysis of the compiled versions up to now in the Corpus de Literatura Oral. From a comparative perspective, the different versions will be compared and the variations between them will be discussed, alluding, also, to the link that exists between this and other types of tales of magic.
Downloads
References
AARNE, Antti y THOMPSON, Stith (1981): The Types of the Folktale: a Classification and Bibliography [FF Communications 184], 2, Helsinki, Suomalainen Tiedeakatemia-Academia Scientiarum Fennica.
AGÚNDEZ GARCÍA, José Luis (1998): «Cuentos populares andaluces (I)», Revista de Folklore, 214, pp. 111-123.
ALONSO ÍMAZ, María del Carmen (2016): «Cuentos de Grimm y cuentos tradicionales españoles», Magazin, 24, pp. 6-12.
BOTTIGHEIMER, Ruth. B. (2005): «France’s First Fairy Tales: The Restoration and Rise Narratives of “Les facetieuses nuictz du Seigneur François Straparole’». Marvels & Tales, 19, 1, pp.17–31.
CAMARENA LAUCIRICA, Julio y CHEVALIER, Maxime (1995): Catálogo tipológico del cuento folklórico español. Cuentos maravillosos, I, Madrid, Gredos.
CINCA I PINÓS, María Dolors (2001): «Las versiones francesas de Las mil y una noches: ¿clásicos franceses traducidos al español?», en Los clásicos franceses en la España del Siglo XX: estudios de traducción y recepción, Francisco Lafarga y Antonio Domínguez (eds.), Barcelona, PPU, pp. 197-200.
DEL REY BRIONES, Antonio (ed.) (2007): El cuento tradicional, 30, Madrid, Ediciones Akal.
EL-SHAMY, Hasan (2004): Types of the Folktale in the Arab World. A Demographically Oriented Tale-Type Index, Bloomington, University of Indiana.
FERNÁN CABALLERO (1877): Cuentos, oraciones, adivinas y refranes populares e infantiles, Madrid, Imprenta de la Revista de Archivos, Bibliotecas y Museos.
FOMIN, Maxim (2020). Ludwig Mülhausen, Séamus Ó Caiside and Scéal Rí na Gréige: The Tale of ‘Three Golden Children’ (ATU 707) in 1937 Donegal [FF Communications 319], Helsinki, Academia Scientiarum Fennica.
GALLAND, Antoine (1717): Les Mille et Une Nuits, París, Jean-Baptiste Coignard.
GONZÁLEZ SANZ, Carlos (1996): Catálogo tipológico de cuentos folklóricos aragoneses, Zaragoza, Instituto Aragonés de Antropología.
GRIMM, Jacob y GRIMM, Wilhelm (1815): Kinder und Hausmärchen, Berlín, Realschulbuchhandlung.
IMBRIANI, Vittorio (1877): La novellaja Fiorentina, Florencia, Giovanni Battista Veschi.
IOUNES-VONA, Rosaria (2013): «Tra Cinquecento e Novecento: l’avatar calviniano della fiaba popolare L’Uccel bel-verde», Textes & Contextes, 8, pp. 1-11.
JOFRE, Montserrat (1990): «Cuentos ‘de encantamento’ de Fernán Caballero», Merveilles & Contes, 4, 2, pp. 243–253.
KOSSMANN, Maarten (2000): A Study of Eastern Moroccan Fairy Tales, Helsinki, Academia Scientiarum Fennica.
LE NOBLE, Eustache (1700): Le Gage touché: Histoires galantes et comiques, París, Chez Claude Barbin.
MACHADO Y ÁLVAREZ, Antonio (1882): «El agua amarilla», El folk-lore andaluz: revista de cultura tradicional, Sevilla, Francisco Álvarez y C. Editores, pp. 305-310.
MADAME D'AUNOY (1698): Contes nouveaux ou Les Fées à la mode, París, Chez Claude Barbin.
MAÑERO LOZANO, David (dir./ed.) (2015-): Corpus de Literatura Oral, Jaén, Universidad de Jaén URL:
MENÉNDEZ PIDAL, Juan (1885): Poesía popular: colección de los viejos romances que se cantan por los asturianos en la danza prima, esfoyazas y filandones, recogidos directamente de boca del pueblo, anotados y precedidos de un prólogo por Juan Menéndez Pidal, Madrid, Imprenta y fund. de los Hijos de J.A. García.
MORIN, Louis (1937): «Les trois Pierre de Larivey», Mémoires de la Société académique du Département de l'Aube, 97, pp. 69-190.
PRAT FERRER, Juan José (2014): Historia del cuento tradicional, Guadalajara, Palabras del Candil.
ROBERT, Raymonde (1981): Le conte de fées littéraires en France de la fin du XVIIe à la fin du XVIIIe siècle, Nancy, Presses Universitaires de Nancy.
RUBIERA MATA, María Jesús (1996): «La traducción como creación literaria: Les mille et une nuits de Galland y de Mardrus», en Aproximaciones diversas al texto literario, Jerónimo Martínez, Concepción Palacios y Alfonso Saura (eds.), Murcia, Universidad de Murcia, pp. 525-528.
STRAPAROLA, Giovanni Francesco (1550): Le piacevoli notti, ed. crítica, Milan, Biblioteca Universale Rizzoli.
THOMPSON, Stith (1966): Motif-Index of Folk Literature. A Classification of Narrative Elements in Folktales, Ballads, Myths, Fables, Mediaeval Romances, Exempla, Fabliaux, Jest-Books and Local Legends, 6 vols., Bloomington / London, Indiana University Press.
UTHER, Hans-Jörg (2004): The Types of International Folktales. A Classification and Bibliography, Based on the System of Antti Aarne and Stith Thompson. Helsinki, Academia Scientiarum Fennica.
Published
Issue
Section
License
Copyright (c) 2025 Laura Moreno Gámez
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
