Eusebio V. Llácer Llorca, El placer estético del terror: tres cuentos de Edgar Allan Poe. Universitat de València, 2022
DOI:
https://doi.org/10.17561/grove.v31.7748Downloads
References
Benton, Richard P. “‘The Masque of the Red Death’--The Primary Source”. American Transcendental Quarterly, vol. 1, no. 1, 1969, pp. 12-13.
Bonaparte, Marie. The Life and Works of Edgar Allan Poe: a Psychoanalytic Interpretation. Imago Publishers Co., 1949.
Boussoulas, Nicolas-Isidore. La Peur et L’Univers dans L’Oeuvre D’Edgar Poe. Presses Universitaires de France, 1951.
Burke, Edmund. On the Sublime and the Beautiful: Reflections on the French Revolution. P. F. Collier, 1909 [1757].
Cassuto, Leonard. “The Coy Reaper: Unmasque-ing the Red Death”. Studies in Short Fiction, vol. 25, no. 3, 1988, pp. 317-320.
Castillo Martín, Francisco Javier. “Aspectos estilísticos en la obra narrativa de E. A. Poe”. Tesis doctoral. Universidad de la Laguna, 1991.
Fletcher, Richard M. The Stylistic Development of Edgar Allan Poe. Mouton, 1973. https://doi.org/10.1515/9783110887174
Freundlieb, D. “Understanding Poe’s Tales: A Schema-Theoretic View”. Poetics, vol. 11, 1982, pp. 25-44. https://doi.org/10.1016/004-422X(82)90003-1
Garrison Jr., Joseph M. “The Function of Terror in the Work of Edgar Allan Poe”. American Quarterly, vol. 18, no. 2, 1966, pp. 136-150. https://doi.org/10.2307/2711178
Gauer, Denis. “‘The Pit and the Pendulum’: Inconscient et Intertextualite”. Revue Francaise d’Etudes Americaines, vol. 15, no. 45, 1990, pp. 119-36. https://doi.org/10.3406/rfea.1990.1396
Halliburton, David. Edgar Allan Poe: a Phenomenological View. Princeton University Press, 1973.
Harrison, James A., editor. The Complete Works of Edgar Allan Poe. A. M. S. Press Inc., 1965.
Heller, Terry. The Delights of Terror: An Aesthetics of the Tale of Terror. University of Illinois Press, 1987.
Hirsch, David H. “The Pit and the Apocalypse”. Sewanee Review, vol. 76, no. 3, 1968, pp. 632-652.
Hoffman, Daniel. Poe, Poe, Poe, Poe, Poe, Poe, Poe. Vintage, 1985.
Jacoby, Jay. “Fortunato’s Premature Demise in ‘The Cask of Amontillado’”. Poe Studies, vol. 12, 1979, pp. 30-31. https://doi.org/10.1111/j.1754-6095.1979.tb00061.x
Kelly, George. “Poe’s Theory of Beauty”. American Literature, vol. 27, 1956, pp. 521-536. https://doi.org/10.2307/2922338
Krikham, E. Bruce. “Poe’s ‘Cask of Amontillado’ and John Montresor”. Poe Studies, vol. 20, no. 1, 1987, pp. 22-23. https://doi.org/10.1111/j.1754-6095.1987.tb00013.x
Lawes, Rochie. “The Dimensions of Terror: Mathematical Imagery in ‘The Pit and the Pendulum’”. Poe Studies, vol. 16, no. 1, 1983, pp. 5-7. https://doi.org/10.1111/j.1754-6095.1982.tb00068.x
Levine, Stuart, and Susan Levine. The Short Fiction of Edgar Allan Poe. The Bobbs-Merrill Company Inc., 1976.
Llácer-Llorca, Eusebio V. El placer estético del terror: tres cuentos de Edgar Allan Poe. Servicio de Publicaciones de la Universitat de València, 2022.
Malloy, Jeanne M. “Apocalyptic Imagery and the Fragmentation of the Psyche: ‘The Pit and the Pendulum’”. Nineteenth-Century Literature, vol. 46, no. 1, 1991, pp. 82-95. https://doi.org/10.2307/3044964
May, Charles E. Edgar A. Poe: a Study of the Short Fiction. Twayne Publishers, 1991.
Peithman, Stephen Edward. The Pervasive ‘I’: Narrative Point of View in Poe’s Tales. University of California Davis, 1974.
Pollin, Burton Ralph. Poe, Creator of Words. N.T., 1980.
Saliba, David R. A Psychology of Fear: the Nightmare Formula in Edgar Allan Poe. University Press of America, 1980.
Silverman, Kenneth, editor. New Essays on Poe's Major Tales. Cambridge UP, 1993.
Sorensen, Peter J. “William Morgan, Freemasonry, and ‘The Cask of Amontillado’”. Poe Studies, vol. 22, no. 2, 1989, pp. 45-47.
Sweet, Charles A., Jr. “Retapping Poe’s ‘Cask of Amontillado’”. Poe Studies, vol. 8, 1975, pp. 10-12. https://doi.org/10.1111/j.1754-6095.1975.tb00246.x
Todorov, Tzvetan. The Fantastic: a Structural Approach to a Literary Genre, trans. Richard Howard. The Press of Case Western Reserve University, 1973.
Varnado, S. L. “The Idea of the Numinous in Gothic Literature". The Gothic Imagination: Essays in Dark Romanticism, 1957, pp. 11-21.
Wheat, Patricia H. “The Mask of Indifference in ‘The Masque of the Red Death’”. Studies in Short Fiction, 1982, pp. 51-56.
Wuletich-Brinberg, Sybil. Poe: the Rationale of the Uncanny. Peter Lang, 1988.
Published
Issue
Section
License
Copyright (c) 2024 NICOLAS Estévez FUERTES
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal. Also, authors will retain the rights on their work, even if they will be granting The Grove. Working Papers on English Studies a non-exclusive right of use to reproduce, edit, distribute, publicly communicate and show their work. Therefore, authors are free to engage in additional, independent contracts for non-exclusive distribution of the works published in this journal (such as uploading them to an institutional repository or publishing them in a book), as long as the fact that the manuscripts were first published in this journal is acknowledged.
