Revitalizing the classroom through children's literature and stage presence: activating interpretive actions

Authors

DOI:

https://doi.org/10.17561/ae.v28n1.9788

Keywords:

Shadow theatre, Performing arts, Arts education, Stage presence

Abstract

Stage presence serves as a fundamental theatre expressive act within the performing arts. In this context, shadow theatre emerges as an exceptional educational tool, fostering the essential expressive skills required for teacher training. This research reflects on the role of stage presence in educational settings, reviewing core theories that address this concept from the perspective of the performing arts, and exploring the profound links between pedagogical practice and art. The study was conducted with students from the Degree in Pre-Primary Education, using activities centred on stage presence, shadow theatre techniques, and excerpts from classical children's literature to enrich the learning experience. Adopting a qualitative framework rooted in Arts-Based Research—a methodology with significant potential in arts education—the findings demonstrate a clear improvement in the quality of interpretive performance based on literary representations.

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Author Biography

  • Ana María Marqués Ibáñez, Universidad de La Laguna

    Since 2002, she has been a graduate in Fine Arts, specialising in Drawing, from the University of Granada (UGR). During her training period, she obtained an Erasmus grant awarded by the European Community, which allowed her to study at the Università degli Studi di Roma (La Sapienza) between 2000 and 2001. At the Accademia di Belle Arti, University of Rome, he specialised in painting, photography and engraving. In 2001, he obtained an Erasmus scholarship, granted by the European Community, to study painting, drawing and printmaking at the Wimbledon School of Fine Art, Wimbledon School of Art.

    In 2006 she completed her PhD after finishing the Official Postgraduate Programme in Fine Art, which was taught within the Drawing, Design and New Technologies programme of the Department of Drawing at UGR. His thesis: ‘Artistic representations of the Divine Comedy: Painting, sculpture, engraving and illustration (2006), consisted of a comparative visual study of the various creations inspired by Dante Alighieri's Divine Comedy.

    Currently, I have been working as a Permanent Labour Professor or PPL (Contratado Doctor tipo 1) since 2016. In 2024, he obtained his first six-year term for his research work. She has participated in national and international conferences, and has given workshops, courses and lectures at scientific events related to her teaching and research work.
    She is a lecturer at the University of La Laguna, Tenerife, teaching on the Bachelor's Degrees in Education, Master's Degree in Teacher Training for Compulsory Secondary Education and Baccalaureate, Vocational Training and Language Teaching, Interuniversity (where she is currently coordinator of the speciality since the 2024 academic year) and on the Master's Degree in Use and Management of Cultural Heritage.

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Published

2026-06-30

Issue

Section

Investigaciones

How to Cite

Marqués Ibáñez, A. M. (2026). Revitalizing the classroom through children’s literature and stage presence: activating interpretive actions. AULA DE ENCUENTRO, 28(1), e9788. https://doi.org/10.17561/ae.v28n1.9788