Neil Young: The Man Who Fell to Earth
Keywords:Neil Young, Shamanism, Ted Hughes, Nature, Jorge Oteiza, Cromlech, Fourth Dimension, Creative Spirals
Canadian singer songwriter and composer Neil Young (b. 1945) has been puzzling the minds of his listeners for decades. His work is all about finding new shores and throwing old ways and patterns to the nearest ditch as soon as possible. He finds the idea of repeating himself simply abominable. His experimentation, sometimes brilliant, sometimes erratic and irritating for his lifelong fans exudes a great capacity for risk taking and cliché breaking. His instinctive artistic integrity and his premeditated scorn for the demands of the modern music industry are legendary. This article aims at explaining some of the constants which mark him out from the rest of the pack; not just as an artist, but also as a man.
Byrne, Sandie. Ed. The Poetry of Ted Hughes. A Reader’s Guide to essential Criticism. London: Icon Books, 2000.
Drowning, David. A Dreamer of Pictures: Neil Young, the Man and His Music. London: Bloomsbury, 1994.
Dufrechou, Carole. Neil Young. New York: Quick Fox, 1998.
Einarson, John. Neil Young. Don’t Be Denied. The Canadian Years. Toronto: Quarry Press, 1992.
Grandin, Temple. Thinking in Pictures. London: Vintage Books, 2005.
Hughes, Ted. The Hawk in the Rain. London: Faber & Faber, 1957.
---. Wodwo. London: Faber and Faber, 1967.
---. Moortown. London: Faber and Faber, 1979.
Inglis, Sam. Harvest. New York: Continuum International Publishing Group Ltd., 2004.
Kot, Greg. “Harvest Moon”. Review (November 2002). Rolling Stone. Web. 13 Nov. 2020. .
Long, Peter. The Ghosts on the Road: Neil Young in Concert. London: The Old Homestead Press, 1996.
McDonough, James. Shakey. London: Vintage Books, 2003.
Rogan, John. Neil Young: the Definitive Story in his Musical Career. London: Proteus, 1982.
Romero Cambra, Pedro Javier. “An Introduction to the Poetry of Ted Hughes”. The Grove 9 (2002): 193-206.
Young, Neil. Neil Young. Reprise Records, 1968.
---. After the Gold Rush. Reprise Record, 1970
---. On the Beach. Reprise Records, 1974
---. Tonight’s the Night. Reprise Records, 1975.
---. Zuma. Reprise Records, 1975.
---. Rust Never Sleeps. Reprise Records, 1979.
---. Trans. Reprise Records, 1982.
---. Harvest Moon. Reprise Records, 1992.
---. Prairie Wind. Reprise Records, 2005.
---. Le Noise. Reprise Records, 2010.
---. The Monsanto Years. Reprise Records, 2014.
: A Space Odyssey. Produced and Directed by Stanley Kubrik, Metro Goldwin Mayer, 1968.
Live at the Massey Hall. Directed by L. A. Johnson. Performance by Neil Young. Warner Reprise, 1971.
Rust Never Sleeps. Directed by Neil Young. Performance by Neil Young, Frank Sampedro, Billy Talbott, Ralph Molina. Warner Reprise, 1979.
Silver and Gold. Directed by L. A. Johnson. Performance by Neil Young. Warner Reprise Video, 2000.
Rivers and Tides. Produced by Annedore von Donop, Trevor Davies and Leslie Hills. Directed by Thomas Riedlesheimer, Roxie Releasing, 2001.
Heart of Gold. Directed by Johnathan Demme. Performance by Ben Keith, Chad Cromwell, Emmylou Harris, Karl Himmel, Neil Young, Peggi Young, Rick Rosas, Spooner Oldham, Diana DeWitt. Paramount Pictures Corporation, 2005.
Don’t Be Denied. Directed by Ben Whalley. BBC 4, 2008.
Neil Young Journeys. Directed by Johnathan Demme. Performance by Neil Young. Shakey Pictures Clinica Estetico, 2011.
How to Cite
Authors who publish with this journal agree to retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal. Also, authors will retain the rights on their work, even if they will be granting The Grove. Working Papers on English Studies a non-exclusive right of use to reproduce, edit, distribute, publicly communicate and show their work. Therefore, authors are free to engage in additional, independent contracts for non-exclusive distribution of the works published in this journal (such as uploading them to an institutional repository or publishing them in a book), as long as the fact that the manuscripts were first published in this journal is acknowledged.