Confessional Echoes and ‘Bad Mothers’: The Influence of Anne Sexton and Sylvia Plath on Contemporary Spanish Poets Pilar Adón and Luna Miguel

Authors

DOI:

https://doi.org/10.17561/grove.v33.9738

Keywords:

Sylvia Plath , Anne Sexton, Confessional poetry , Motherhood, female taboos, Spanish contemporary women poets

Abstract

This article examines the influence of confessional poetry by Anne Sexton and Sylvia Plath on contemporary Spanish poets Pilar Adón and Luna Miguel. Focusing on the period 2000-2025, the study explores how themes such as motherhood, female sexual taboos, and family relationshipsaddressed openly by Sexton and Plathhave been recovered and redefined by Adón and Miguel within the current Spanish context. The article highlights the significance of breaking taboos and affirming the female poetic self, as well as the adaptation of Anglo-American models to Spanish reality. It concludes with an analysis of motherhood and the figure of the “bad mother” as central, contested issues, arguing that the confessional voice has enable contemporary Spanish poets to engage in dialogue with their predecessors and to challenge social and familial constrains.

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Author Biography

  • Sofía Morante-Thomas, Universidad de Alcalá

    Sofía Morante Thomas is a PhD candidate in Linguistic, Literary, and Theatrical Studies at the Universidad de Alcalá and FPU fellow. Her research centers on literary authorship by women poets and the reception of North American poetry in Spain, with a dissertation focused on Miriam Reyes. She is a member of GILCO and PANDORA.

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Published

2026-05-04

How to Cite

Morante Thomas, S. . (2026). Confessional Echoes and ‘Bad Mothers’: The Influence of Anne Sexton and Sylvia Plath on Contemporary Spanish Poets Pilar Adón and Luna Miguel. The Grove - Working Papers on English Studies, 33, e9738. https://doi.org/10.17561/grove.v33.9738