Jealousy and male anxiety: articulations of gender in “the curious impertinent” and the amorous prince
Resumen
La trama secundaria de The Amorous Prince, una obra teatral de Aphra Behn, es una reescritura de “El Curioso Impertinente”, un relato intercalado del Quijote que describe a un marido patológicamente celoso. Ubicuo en la España del Siglo de Oro y la Inglaterra de la Restauración, el discurso de los celos se empleaba para explorar cuestiones relacionadas con la identidad y el poder. Además de contribuir a validar las relaciones de poder establecidas, las nociones hegemónicas de masculinidad vigentes en cada contexto resultaban contradictorias, y por tanto estaban expuestas a la subversión y la resistencia. Los celos sexuales se analizan como consecuencia de las paradojas subyacentes a las construcciones dominantes de género culturalmente específicas, que eran a la vez una condición que hacía posible la hegemonía y una fuente de ansiedad masculina. Mi análisis pretende determinar cómo se maneja esta contradicción ideológica en cada texto.
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