Espacio Dramático y Poder en El Rey Lear de Shakespeare, Lear de Bond y Lear’s Daughters de Feinstein
Palabras clave:
Shakespeare, King Lear, Edward Bond, Elaine Feinstein, space, dramaResumen
En la obra El rey Lear (1605), William Shakespeare explora la psique humana a través de la historia de un anciano rey que cede su tierra a sus dos hijas mayores y se ve obligado a vagar por el espacio de los marginados. En la versión moderna de esta obra titulada: Lear, Edward Bond retoma el análisis de Shakespeare del espacio y el poder en la figura de un padre monomaníaco que levanta un muro contra sus enemigos. La división de los espacios internos y externos presentes en Bond se explora más a fondo en el trabajo de Elaine Feinstein y del Women Theatre Group: Lear’s Daughters, que sumerge al público en los primeros años de Goneril, Regan y Cordelia. En esta precuela contemporánea de la obra de Shakespeare, las tres princesas descubren el mundo y el espacio que ocupan en él desde su reclusión en el castillo.
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