La afortunada forma de la verdad
Mark Strand lee las pinturas de Edward Hopper
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https://doi.org/10.17561/grove.v29.6657Palabras clave:
Mark Strand, Edward Hopper, ser, materia, mundo no humano, nadaResumen
El presente artículo indaga la faceta del poeta Mark Strand como crítico de arte y, más concretamente, el modo como el universo pictórico del pintor norteamericano Edward Hopper influyó en su poesía, tanto temática como estilísticamente. Leyendo el conocido óleo de Hopper Casa junto a las vías (1925) en un artículo del New York Times titulado “Crossing the Tracks to Hopper’s World”, publicado el 17 de octubre de 1971, Strand medita sobre “la fascinación de Hopper sobre el paso” (340). Años después, ampliaría su exégesis crítica de Casa junto a las vías y otros lienzos del pintor norteamericano en el libro titulado Hopper (1994) en unos términos que recuerdan su propia poética. Strand y Hopper contemplan el mundo con una mirada inquisitiva y atrapan momentos con absoluta claridad para demostrar que el yo es un misterio y que los seres humanos somos criaturas efímeras que anhelan un momento de revelación, una fugaz protección ante la confusión.
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