Paisajes interiores: una lectura ecocrítica de El gigante enterrado, de Kazuo Ishiguro
DOI:
https://doi.org/10.17561/grove.v32.8815Palabras clave:
Kazuo Ishiguro, El gigante enterrado, paisaje, ecocrítica, intertextualidad, vegetaciónResumen
Dado el potencial ecocrítico de muchas de las novelas de Ishiguro, se deberían llevar a cabo más análisis ecocríticos sobre su producción literaria. Este ensayo tiene como objetivo leer El gigante enterrado (2015) a través de un prisma ecocrítico y mostrar cómo el escenario de la novela ejemplifica y añade otros aspectos a conceptos ecocríticos como la desaparición del paisaje, el debilitamiento del antropocentrismo y el silencio de la naturaleza. La primera sección se centrará en el concepto de «paisaje encarnado» e incluirá las formas en que el paisaje socava las nociones de superioridad del hombre a través de los recuerdos de acontecimientos pasados que él es capaz de conservar, a diferencia de los personajes, que están privados de su memoria. La segunda sección analizará el simbolismo de los árboles y la vegetación para mostrar cómo parecen estar vinculados a los recuerdos y ayudar a filtrarlos, haciendo que algunos de ellos emerjan del olvido colectivo.
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