The New Spectatorship. Hacia una relación dinámica entre el espectador y la obra / The New Spectatorship. Towards a Dynamic Relationship between Viewer and Artwork

Authors

  • Letizia Viviana Binda-Partensky Accademia di Belle Arti di Bologna

Keywords:

espectador, recreación, proceso, arte, cuerpo, conocimiento artístico / Spectatorship, recreation, process, art, body, artistic knowledge

Abstract

La base de este ensayo visual es la obra de Luc Huijbregts, que fue mostrada en la sala de exposiciones “Espacio de Arte” en La Casa del Siglo XV de Segovia (España) durante el verano de 2007. El espectador se encuentra a sí mismo en un espacio-proceso que desmantela la distancia convencional que le separa de la obra de arte. Al entrar en la exposición, un lienzo de Nisa Goiburu, integra todo el entorno “profano”. Más adelante, el espectador llega a una serie de obras tridimensionales. Mediante el uso del suelo como base, invitan a su participación activa, contrariamente a lo que sucede con los pedestales convencionales. El espectador no queda confinado a un espacio inferior. Fotografías de Marie-Christine Noël

The New Spectatorship. Towards a Dynamic Relationship between Viewer and Artwork

The foundation of this visual essay is the work of Luc Huijbregts, displayed at the showroom “Espacio de Arte” at La Casa del Siglo XV in Segovia (Spain) during the summer of 2007. The viewer finds himself in a process which dismantles the conventional distance separating him from the artwork. As he enters the exhibit, a canvas on display integrates its “profane” surroundings. Further along, the viewer comes to a series of threedimensional works. By using the floor as a base, they invite his participation instead of precluding it, as would a conventional pedestal: the viewer is no longer confined to a lower space. Photographs by Marie-Christine Noël

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References

VVAA (2007). Especulaciones. Intrínsecamente subversivos. Catálogo de la exposición. Segovia

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Published

2016-11-04

Issue

Nº 5, Julio 2014

Section

Artículos temáticos del número

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How to Cite

Binda-Partensky, L.V. (2016) “The New Spectatorship. Hacia una relación dinámica entre el espectador y la obra / The New Spectatorship. Towards a Dynamic Relationship between Viewer and Artwork”, Tercio Creciente, 3(1). Available at: https://revistaselectronicas.ujaen.es/index.php/RTC/article/view/3090 (Accessed: 12 January 2026).