Investigating the accompanying pianist
DOI:
https://doi.org/10.17561/rtc.n11.6Keywords:
Artistic Lessons, Accompanying Pianists, Lackings, Music, ResearchAbstract
Throughout the different epochs and educational systems, the pianists have been formed in the majority of the cases like interpreters, although almost all they end up working as piano teachers. Some few decide to opt for the specialty of Pedagogy of the Piano, a specialty oriented to the teaching. However, for the last years the most affordable work for young pianists who want to join the public system of education in our country is that of accompanying pianists. Although the number of pianists who perform this work increases each year according to the different lists of personnel placement, there is not currently in Spain a specialty focused on the preparation of accompanying futures. About this and other problems related to the practical exercise of the work and the lack of stability in their administrative situation complain the accompanying pianists in addition to the teachers and students of the different specialties of Music, Dance and Dramatic Art. However, despite the need to address all of this problem from a scientific perspective, the number of research carried out on this subject is very scarce in our country, so we believe that it will be very useful to compile a bibliography more relevant in this field of research. In the following article, articles, books and theses written both in Spain and abroad in relation to the figure and the work of accompanying pianists will be exposed and analyzed with brevity.Downloads
References
Abid, A. (2009). Pianista Colaborador: A formação e atuação performática voltada para o acompanhamento de Flauta Transversal (Tesis de Maestría). Escola de Música da Universidade Federal de Minas Gerais, Belo Horizonte (MG).
Aguilar, E. (2013). La figura del profesor pianista acompañante en los Conservatorios Profesionales de la Comunidad Valenciana. Revista electrónica Complutense de Investigación en Educación Musical,10, p.13-29. Recuperado de http://dx.doi.org/10.5209/rev_RECI.2013. v10.44049
Bernal, A. (2009). Estrategias del pianista acompañante en una clase de ballet en la barra. Revista digital innovación y estrategias educativas, 06(19), p.1-9. Recuperado de http://www. csi-csif.es/andalucia/modules/mod_ense/revista/pdf/Numero_19/ANTONIO_BERNAL_2.pdf
Cavalli, H. (2011). Dance and Music: A Guide to Dance Accompaniment for musicians and dance teachers. Florida, Estados Unidos: University Press of Florida.
Cruz, M. (Agosto, 2003). Pianista acompanhador: um estudo analítico de suas competências e ações enquanto produtor musical. En Anais do XIV Congresso da anppom (p.945-952). Porto Alegre, Brasil. Recuperado de http://antigo.anppom.com.br/anais/ANPPOM_2003.pdf
Daza, S. (2003). Carta abierta sobre la problemática de los pianistas acompañantes. Revista digital Filomúsica, 07(41). Recuperado de http://www.filomusica.com/filo41/carta.html
Da Costa, F. (2011). Leitura à primeira-vista na formação do pianista colaborador a partir de uma abordagem qualitativa (Tesis de Doctorado). Instituto de Artes de la Universidad Estatal de Campinas, Campinas.
Farias de Catro, G. (2012). A formação do pianista de conjunto: uma revisão de literatura. En Anais do II Simpósio brasileiro de pós-graduandos em música.(p.412-421). Brasília, Brasil.
Katz, M. (2009). The complete collaborator. New York, New York: Oxford University Press.
Kokotsaky, D. (2007). Understanding the ensemble pianist: A theoretical framework. Psychology of Music, 35(4), P. 641-668.
DOI: https://doi.org/10.1177/0305735607077835
Leal de Sousa, L. (2014). Interações entre o pianista colaborador e o cantor erudito: habilidades, competências e aspectos psicológicos (Tesis de Maestría). Universidade de Brasilia Instituto de Artes, Brasilia.
López, A. (Febrero-Marzo, 2008). El pianista acompañante en la clase de danza: problemática actual. Ventajas de la utilización de los recursos creativos. En Actas del I Congreso de investigación en educación musical (p.170-176). Madrid, España.
López, D. (2004). Entrevista: Aurelio Viribay. Revista Digital Filomúsica, 01(48). Recuperado de http://www.filomusica.com/filo48/entrevis.html
Moore, G. (1953). Singer and Accompanist. London: Methuen & Co. Ltd.
Moore, G. (1956). The Unashamed Accompanist. New York, New York: The Mac Millan Company.
Moore, G. (1962). Am I too loud? Memoirs of an Accompanist. London: Hamish Hamilton Ltd.
Sanz, R. (2001). El profesor de instrumento y el profesor pianista acompañante, Música y Educación, 46, p.45-62.
Sansafar, J.K. (2012). Influence of Aural And Visual Expressivity Of The Accompanist On Audience Perception Of Expressivity in Collaborative Performances Of A Soloist And Pianist (Tesis de Doctorado). The Florida State University College Of Music, Florida.
Sik, Y. (2011). The Art Of Accompanying Classical Ballet Technique Classes (Tesis de Doctorado). Graduate College of the University of Iowa, Iowa.
PMid:22287407
Sirera, B. (2009). El piano en la danza. Madrid: Alpuerto.
PMCid:PMC2708533
Tello, I. (Marzo, 2012). Formación del pianista acompañante. Importancia para el desempeño de su función en los Conservatorios de Danza. En Actas del II Congreso CEIMUS de Educación e investigación Musical (p. 463-470). Madrid, España.
Vallés, L. (2012). El Acompañamiento al Piano II. Artseduca, 3, p. 18-29.
Vallés, L. (2013). El Acompañamiento al Piano III. Artseduca, 4, p.16-31.
Vallés, L. (2013). El Acompañamiento al piano IV. Artseduca, 6, p.20-39.
Vallés, L. (2014). El Acompañamiento al Piano V. Artseduca, 8, p. 24-60.
Vallés, L. (2015). El Acompañamiento al Piano VI. Artseduca, 12, p.27-47.
Vallés, L. (2016). El Acompañamiento al Piano VII. Artseduca, 13, p. 8-38.
Vallés, L. (2015). La especialidad de pianista acompañante en la titulación superior de música: una propuesta de currículum e integración en el sistema educativo español (Tesis de Doctorado). Universidad Jaume I, Valencia.
Vallés, L., Verde, L. (2015). Un ensayo con pianista acompañante. Revista digital Conservatori, Portal Digital du Conservatori de La Vall d´Uixó., 06(16). Recuperado de https://revistadigitalconservatori.wordpress.com/2015/06/16/un-ensayo-con-pianista-acompanante/
Zanetti, M. (2012). El pianista acompañante. Melómano Digital, 03(29). Recuperado de http://orfeoed.com/melomano/2012/articulos/guia-practica/piano/el-pianista-acompanante/
Downloads
Published
Issue
Section
License
Those authors who have publications with this magazine, accept the following terms:
The authors will retain their copyright and will guarantee to the journal the right of first publication of their work, which will be simultaneously subject to the Creative Commons Attribution License that allows third parties to share the work whenever their author is indicated and its first publication is this journal.
Authors may adopt other non-exclusive license agreements to distribute the version of the published work (eg to be deposited in an institutional telematic file or published in a monographic volume) provided the initial publication is indicated in this journal .
Authors are encouraged to disseminate their work via the Internet (eg in institutional telematic files or on their website) before and during the submission process, which can produce interesting exchanges and increase the number of citations of the published work..
In case of being accepted works will be published under Creative Commons license.














