The Effects of Spanish Civil War on Spanish Cinema: Cinema under the Political Pressure of Two Eternal Enemies / Los efectos de la Guerra Civil Española en el cine español: cine bajo la presión política de dos eternos enemigos
DOI:
https://doi.org/10.17561/rtc.n15.7Keywords:
Spanish Cinema, Spanish Civil War, censorship, cinema under pressureAbstract
Este artículo se centra en cómo se formó el cine español durante y después de la guerra civil española (1936-1939) por los dos bandos de la guerra: la izquierda y la derecha. En primer lugar, examina la lucha de poder entre dos bandos durante la guerra y su esfuerzo por hacer su propia propaganda. En segundo lugar trata de entender las nuevas reglas del cine bajo la dictadura de Franco. Luego discute los cambios de visión después de la muerte de Franco y por último, resume los efectos de la guerra civil en el cine español moderno de hoy.
This article focuses on how the Spanish cinema was shaped during and after the Spanish Civil War (1936-1939) by the two sides of the war: the political left and the political right. Firstly it examines the power struggle between two sides during the war and their effort to make their own propaganda. Secondly it tries to understand the new rules of the cinema under the dictatorship of Franco. Then it discusses the changes of vision after the death of Franco and lastly summarizes the effects of the war on the modern Spanish cinema of today.
Downloads
References
AZNAR SOLER, Manuel y SCHNEIDER, Luis Mario,(1987) II Congreso Internacional de Escritores para la defensa de la cultura, Valencia, Generalitat Valenciana.
MARTÍNEZ-SALANOVA SÁNCHEZ, E. (no date) La guerra civil española en el cine. Retrieved from http://www.educomunicacion.es/cineyeducacion/historia_guerracivil.htm
Cristina Cabrera Revilla, Laura, (2016) A cinema of resistance: subversive cinematographic practices under political repression and propaganda during the first “25 years of peace” in Francoist Spain, (MA Thesis) Leiden University
Esparcia, Nacho Jarne (n.d) El extraño viaje, Retrieved from http://www.centrocp.com/el-extrano-viaje/
Amo García, Alfonso del, e Ibáñez Ferradas, María Luisa. 1996. Catálogo general del cine de la Guerra Civil. Madrid: Ed. Cátedra.
Essays, UK. (November 2013). Spanish Cinema During The Dictatorship Film Studies Essay. Retrieved from https://www.ukessays.com/essays/film-studies/spanish-cinema-during-the-dictatorship-film-studies-essay.php?cref=1
Lopiss, Bienvenido,(2013) La Censura Franquista En El Cartel De Cine, Madrid: Notorious Ediciones
Ruiz, Paula Arantzazu (2016) Salamanca, las conversaciones que cambiaron el cine español, Retrieved from http://cinemania.elmundo.es/noticias/salamanca-las-conversaciones-que-cambiaron-el-cine-espanol/
Aristarco, Guido; Pérez Perucha, Julio; Sanz de Soto, Emilio; Sala, Ramón; Álvarez Berciano, Rosa; Galán, Diego; Santos Fontenla, César; Torres, Augusto M. et al. (1989). Cine español (1896-1988). Madrid: Instituto de la Cinematografía y de las Artes Audiovisuales. p. 226.
Yuste, Javier, (2016) ¿Hacia un nuevo cine español? Retrieved from http://www.elcultural.com/noticias/cine/Hacia-un-nuevo-cine-espanol/8801
Southbank, BFI (2011) Good Morning Freedom! Spanish Cinema After Franco, Retrieved from http://www.bfi.org.uk/sites/bfi.org.uk/files/downloads/bfi-press-release-good-morning-freedom-spanish-cinema-after-franco-at-bfi-southbank-in-june-2011-05-24.pdf
GARCÍA FERNÁNDEZ, Emilio C., (1985) Historia ilustrada del cine español, Planeta, Madrid
Prados, Luis, ( 1990), El Gobierno crea un plan nacional de promoción y desarrollo de la industria audiovisual, Retrieved from https://elpais.com/diario/1990/01/13/cultura/632185204_850215.html
FAPAE, (2016) Informe: 25 Años de Cine Español, Retrieved from http://fapae.es/noticias/comunicados/fapae_cumple_25_anos_24
Downloads
Published
Issue
Section
License
Those authors who have publications with this magazine, accept the following terms:
The authors will retain their copyright and will guarantee to the journal the right of first publication of their work, which will be simultaneously subject to the Creative Commons Attribution License that allows third parties to share the work whenever their author is indicated and its first publication is this journal.
Authors may adopt other non-exclusive license agreements to distribute the version of the published work (eg to be deposited in an institutional telematic file or published in a monographic volume) provided the initial publication is indicated in this journal .
Authors are encouraged to disseminate their work via the Internet (eg in institutional telematic files or on their website) before and during the submission process, which can produce interesting exchanges and increase the number of citations of the published work..
In case of being accepted works will be published under Creative Commons license.














