Self-Representation and Artistic Creation: Experiences from University Teaching
DOI:
https://doi.org/10.17561/rtc.extra10.9963Keywords:
Self-representation, identity, creative process, a/r/tography, art education, image, paintingAbstract
Throughout the 2024/2025 academic year, two lecturers teaching Laboratorio de Imagen and Pintura I, subjects belonging to the first year of the degrees taught at the Faculty of Fine Arts of the University of the Basque Country (UPV/EHU), addressed the issue of ‘self-representation’ with the same group of students. Although each subject approached the concept from different perspectives, the students' personal histories became the cornerstone of their creations. Despite the fact that there was no prior coordination between the two teachers when working on this topic, both concluded that it was a positive and enriching teaching experience.
Through an a/r/tographic vision, this text presents two case studies on the experiences of each discipline when working on the concept of ‘self-representation’, focusing on the methodology used, the creative process experienced and the pedagogical value it can bring.
The conclusions drawn from the two case studies developed in this article are the starting point for a joint project that is being designed by both subjects and will be developed throughout the 2025/26 academic year.
Downloads
References
Acaso, M., y Nuere, S. (2005). El curriculum oculto visual: aprender a obedecer a través de la imagen. Arte, Individuo y Sociedad, 17, 207-220.
Alcaide Spirito, C. (2001). Los educadores y el reto permanente del arte. En Fosati,
A. y Huerta, R. (coords.) (2001). Comunicaciones del Congreso “Los valores del Arte en la Enseñanza” (pp. 30-34.). Valencia: Repro Expres.
Ardévol, E., y Gómez-Cruz, E. (2012). Cuerpo privado, imagen pública: el autorretrato en la práctica de la fotografía digital. Disparidades. Revista De Antropología, 67(1), 181–208. https://doi.org/10.3989/rdtp.2012.07
De Souza, E. C., Serrano Castañeda, J. A., y Ramos Morales, J. M. (2014). Autobiografía y educación. Tradiciones, diálogos y metodologías. Revista Mexicana de Investigación Educativa, 19(62), 683-694.
Hernández, F. y Barragán, J. M. (1992). La autobiografía en la formación de los profesores de Educación Artística. Arte Individuo y Sociedad, 4, 95-102.
Hernández, F. (2002). Los proyectos de trabajo: mapa para navegantes en mares de incertidumbre. Cuadernos de pedagogía, 310, 78-82.
Kelchtermans, G. y R. Vandenberghe. 1993. “A Teacher is a Teacher is a Teacher is a.: Teachers' Professional Development From a Biographical Perspective.” Ponencia presentada en la reunión anual de la Asociación Americana de Investigación Educativa, Atlanta, GA, abril 12-16.
Mascarell, D. (2018). Las imágenes y su pluralidad en la contemporaneidad digital. Un enfoque pedagógico desde la educación en Artes Visuales. En Huerta, R., Alonso-Sanz, A. y Ramón, R., Investigar y educar en diseño (pp.189-201). Valencia: Tirant Humanidades.
Oré Garvan, C.C., Valdivia Holguin, C.I., y Nina Manchego, E.M. (2024). La habilidad socioemocional como la empatía en el docente universitario siendo agente de cambio en la formación académica. IGOBERNANZA, 7(25), 277–300. https://doi.org/10.47865/igob.vol7.n25.2024.335
Pérez-Royo, V. (2010). El giro performativo de la imagen. Revista Signa, 19, 143-158.
Revilla, A., Molet, C., Quiroz, D., y Bernad, O. (2020). “Infancias mediadas”: Narrativas visuales en la formación del profesorado. Educación Artística: Revista de Investigación (EARI), 11, 37-53. https://doi.org/10.7203/eari.11.16209
Roldan, J. y Marín-Viadel, R. (2012). Metodologías Artísticas de Investigación en educación. Archidona: Ediciones Aljibe.
Ruiz de Almirón, C. (2022). Autorrepresentación en el arte en tiempos de extimidad. Estudios sobre Arte Actual, 10, 75-89.
Stake, R. E. (1999). Investigación con estudio de casos. Madrid: Morata.
Stokes, L. (2003). Lecciones de una escuela indagadora: formas de indagación y condiciones para el aprendizaje del profesorado. En Lieberman, A. y Miller, L. (Ed.), La indagación como base de la formación del profesorado y la mejora de la educación (pp.173-192). Barcelona: Octaedro.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Ander Gómez-Miranda, Laia Becerra-Martínez

This work is licensed under a Creative Commons Attribution 4.0 International License.
Those authors who have publications with this magazine, accept the following terms:
The authors will retain their copyright and will guarantee to the journal the right of first publication of their work, which will be simultaneously subject to the Creative Commons Attribution License that allows third parties to share the work whenever their author is indicated and its first publication is this journal.
Authors may adopt other non-exclusive license agreements to distribute the version of the published work (eg to be deposited in an institutional telematic file or published in a monographic volume) provided the initial publication is indicated in this journal .
Authors are encouraged to disseminate their work via the Internet (eg in institutional telematic files or on their website) before and during the submission process, which can produce interesting exchanges and increase the number of citations of the published work..
In case of being accepted works will be published under Creative Commons license.














