NoDOS (3) Calling!! Proposal of lines, footprints and routes as a result of an online artistic residency
DOI:
https://doi.org/10.17561/rtc.extra2.5726Keywords:
art, performance, virtual, hybrid, artistic residencyAbstract
In this photo essay an intermediate artistic project is shared, carried out at The Spectacular House, a platform for the dissemination of art and thought, curated by Sofia Caetano and established in Pittsburgh (USA) and Ponta Delgada (Azores). His work is displayed on a website created with the aim of promoting art and culture virtually on a global scale. Within this platform, there is "Gate", a door that opens to an online art gallery where site specific projects and projects generated on the Internet are hosted as part of the process developed in an online artistic residency environment. And it is within this context that the NoDOS Group (3), made up of Cristina Ghetti and Elia Torrecilla, developed a project for two weeks. The end result is a digital piece, with a strong presence of sound, where user interactions, travel experiences, hyperlinks, videos, photos and multiple tours allow visualizing a work of a hybrid nature, in a different and creative way.
In this photo essay, a visualization of the project is proposed through images that show our work process and that allow the reader to cross the screen through the hyperlink. In this way, the visitor will be able to participate in the investigations that NoDOS (3) carry out, and that are based on the use of the body and technology in space (physical, virtual and hybrid) through performance. In short, we offer the possibility for the visitor to take a tour in a fun and interactive way through a photo-essay at the click of a button.
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Torrecilla, Elia; Ghetti, Cristina. Interferencias en el paisaje. Cuerpo y espacio en la práctica artística de NoDOS(3). ANIAV - Revista de Investigación en Artes Visuales, [S.l.], n. 6, p. 95-107, mar. 2020. https://doi.org/10.4995/aniav.2020.12948
Torrecilla, Elia. (2018). “El lenguaje de las interfaces en movimiento: La hibridación en la práctica artística de NoDOS (3)”. ASRI. Arte y Sociedad. Revista de Investigación, (15), 7-14.
Torrecilla, E. (2018). Flâneur, Ciberflâneur, Phoneur: Un paseo de resignificación del
Flaneur por el espacio urbano moderno, el ciberespacio y el espacio híbrido.
Acciones artísticas propias entre 2011‐2018 [Tesis doctoral]. Universitat Politècnica
De València. Disponible en: https://riunet.upv.es/handle/10251/107391
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