Exhausted Temporalities for Imagining the World. Review of the Chair Teatralidades expandidas at the Museo Reina Sofía (Madrid, Spain)

Authors

DOI:

https://doi.org/10.17561/rtc.27.8932

Keywords:

Teatralidades expandidas, Forced Entertainment, performance, temporalities

Abstract

From 28 September to 1 October 2023, the Chair Teatralidades expandidas, a space for thought and dialogue on contemporary performing arts, was held at the Museo Nacional Centro de Arte Reina Sofía (Madrid, Spain). The Chair, organised by the ARTEA collective, focused on the artistic production of Forced Entertainment, a company from Sheffield, England. Dedicated to theatre and performance, the group, founded in 1984, is about to celebrate its 40th anniversary. Tim Etchells, its artistic director, Richard Lowdon and Claire Marshall, two of its performers, were present. This work aims, based on a review of the event, to reflect on the possibilities of performance practices to experiment with temporality and invite us to imagine a common world.

Downloads

Download data is not yet available.

Author Biography

  • Leticia Paz Sena, Instituto de Humanidades, Universidad Nacional de Córdoba/Consejo Nacional de Investigaciones Científicas y Técnicas

    Licenciada y Profesora en Letras Modernas y Correctora Literaria por la Universidad Nacional de Córdoba (UNC), Argentina. Doctoranda en Letras (Facultad de Filosofía y Humanidades, UNC) con el proyecto de investigación “Configuraciones poéticas y políticas en las prácticas reescriturales de la dramaturgia contemporánea de Córdoba” (dirigido por la Dra. Mabel Brizuela y la Dra. Gabriela Milone). Becaria doctoral del Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET). Profesora Asistente de la cátedra Introducción a los Estudios Universitarios / Curso de Nivelación de la Escuela de Letras (FFyH, UNC). Codirectora del proyecto de investigación CePIABIERTO “Escenas de igualdad y modalidades de archivo en prácticas del teatro contemporáneo en Córdoba” (Centro de Producción e Investigación en Artes, Facultad de Artes, UNC). La asistencia a la cátedra Teatralidades Expandidas fue posible gracias al Programa de Movilidad Académica entre Universidades Andaluzas e Iberoamericanas asociadas a la AUIP (Asociación Universitaria Iberoamericana de Postgrado).

References

Etchells, Tim y Heathfield, Adrian. “Lo que escapa…”. El tiempo es lo único que tenemos. Actualidad de las artes performativas, compilado por Bárbara Hang y Agustina Muñoz. Buenos Aires: Caja Negra, 2019, pp. 151-162.

Fischer-Lichte, Erika. Estética de lo performativo. Madrid: Abada, 2011.

Forced Entertainment. “How we work”. Forced Entertainment, www.forcedentertainment.com/how-we-work/, consultado el 30 de octubre de 2023.

La Rocca, Paula. Insistencias de la letra. Tácticas conceptuales en dos momentos del arte argentino reciente. Tesis de doctorado en Letras, Universidad Nacional de Córdoba, 2023.

Downloads

Published

2025-01-01

Issue

No. 27 (2025): Vivir, narrar: narrar, tal vez soñar.

Section

Otros (revisiones, entrevistas)

License

Copyright (c) 2025 Lic. Leticia Paz Sena

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Those authors who have publications with this magazine, accept the following terms:
The authors will retain their copyright and will guarantee to the journal the right of first publication of their work, which will be simultaneously subject to the Creative Commons Attribution License that allows third parties to share the work whenever their author is indicated and its first publication is this journal.
Authors may adopt other non-exclusive license agreements to distribute the version of the published work (eg to be deposited in an institutional telematic file or published in a monographic volume) provided the initial publication is indicated in this journal .
Authors are encouraged to disseminate their work via the Internet (eg in institutional telematic files or on their website) before and during the submission process, which can produce interesting exchanges and increase the number of citations of the published work..

In case of being accepted works will be published under Creative Commons license. 

 

How to Cite

Paz Sena, L. (2025) “Exhausted Temporalities for Imagining the World. Review of the Chair Teatralidades expandidas at the Museo Reina Sofía (Madrid, Spain)”, Tercio Creciente, (27), pp. 327–338. doi:10.17561/rtc.27.8932.